Thinking about holiday advertising caused me to remember one “holiday” I’d rather not have lolling around in my memory: the time I was the substitute pianist for a university orchestra concert that was hosting Aaron Copland as guest conductor. I wasn’t even a piano major, just an erstwhile rehearsal accompanist! But I got asked to fill in nonetheless. That’s right! It happened sometime in 1978 at the University of Missouri, in November, right around Copland’s birthday (November 14).
We played, among other of his famous pieces, the four dance pieces from Rodeo, not the least of which were nos. I, “Buckaroo Holiday,” and IV, “Hoedown,” this latter a wonderful piece with an imposing piano score. In one of the few rehearsals, Mr. Copland did not like the way I counted his music, I remember. And after one too many of my missed entrances he cut off the orchestra and addressed me, “What’s going on back there with that piano?” “Do you know how to count?” I yelled back (like a know-it-all eighteen-year old who had no earthly clue who I was talking to) “Yes, I do.” He said, with rising ire, “Bring that score up here and show me.” What followed was one of the most mortifying scenes of my young life, wherein I tried to count the beats for him--in his music-- without embarrassing myself in front of the other orchestra members. I get chills thinking of it. But it’s a great story!
Have an embarrassing musical story that can top that? Go ahead and respond to this post.
Hey, man! Great story. Love the storyt! Love the "H" chorus, too. Know just the spot you're talking about. The thought of it being recorded makes grimace even more! Hope you're well.
I don't believe this tops that, but I remember something that was embarrassing for SOMEONE ELSE my senior year of high school. In high school, we always finished the Christmas concert by singing the Hallelujah Chorus. As I'm sure you know, Dr. Horne, the piece builds and builds toward the end and then, right before the last 'Hallelujah!", there is a big rest for the whole chorus as well as the accompaniment. I guess one of the basses wasn't paying attention to the conductor because, where there was supposed to be that big rest, this individual come in a couple of beats too early and therefore ended up with his own, impromptu solo (and at triple forte!). Somebody's parents…